THE POWER OF COLLABORATION

AND BEHIND THE SCENES ON OUR MOST RECENT VENTURE

 
 
Collaborations are phenomenally powerful, with the end result being far greater than their original parts. Without doubt, collaborations have been one of our key contributors to our brand’s success.
— Philippa Craddock
 

WHAT IS A COLLABORATION?

A collaboration is “a working practice whereby individuals work together for a common purpose to achieve business benefit. Collaborations enables individuals to work together to achieve a defined and common business purpose.AIIM.org

In terms of the practicalities of a collaboration, each individual/business is responsible for their own costs and the contribution of their expertise, skills and time, to ensure the success of the project. Clear guidelines are set out at the beginning and all parties commit, to ensure the combined success. Collaborations are phenomenally powerful, with the end result being far greater than their original parts. Without doubt, collaborations have been one of our key, defining brand successes.

A great example of a collaboration for a florist and any creative, is working with a publication, creating designs/supplying products that are photographed and published within their pages. Sometimes publications will provide a small budget for disposable products (e.g. fresh flowers), often though the available budget won’t cover everything you need. Typically you will cover travel, materials, your expertise, time and skill. The publication will provide the location, set design, furniture/props, photographer, art director etc. etc. You will work together on the brief. It is a huge commitment from the publication, and also from yourself - ultimately the publication will have great photography for their pages and revenue from their sales, and you will receive coverage, credibility, images for marketing (incl. social media) and access to a wider (and potentially new) audience.

Over the last twelve years, collaborations have provided us with huge opportunities to grow our business; they have been one of the key reasons for our success. Within the upcoming Creative Business Masterclass - which launches in mid October - you will learn the best principles behind successful collaborations, the exact ones we - and successful creative businesses - use, to help you apply them directly to your own business.

And today, I am excited to share with you a glimpse of our most recent collaboration, with Venetian glass maker Venini …

 
 

 
 

ABOUT VENINI

Venini is one of the world’s most highly regarded makers, designers and manufacturers of glassware. Founded by Paolo Venini in 1921 and whose works today are outstanding for their combination of traditional technique and modern form. Venini’s glass factory is located on the island of Murano, the historic glass production centre in the lagoon of Venice, Italy.

 
 

Venini Studio

Venini Studio

Fondazione Giorgio, San Giorgio Maggiore Island, Venice

 
 

BACKGROUND & BEGINNING

The collaboration was realised in April this year, following an email I received in November 2019, from the Director of the Michelangelo Foundation for Creativity and Craftsmanship. The Michelangelo Foundation is based in Geneva, and their mission is to promote and protect fine craftsmanship on an international scale. One of the largest projects the Foundation organise, is the biennial Venetian exhibition, Homo Faber.

Homo Faber includes 16 unique exhibitions, and one of those was “Blossoming Beauty” - where ten florists were invited from around the world, in creative collaboration with Venini, to create a collection of hand-finished, blown glass vases.

It was a dream collaboration. It was an incredible opportunity to work with one of the world’s most prestigious glass manufacturers, alongside the Michelangelo Foundation and the curators within Homo Faber. I immediately said a HUGE yes please!

 
BLOSSOMING BEAUTY - an enchanting display of floral creativity and refined glassmaking techniques.
— Homo Faber
 
 

 
 

MY CONTRIBUTION

I spent approximately one month - in my spare time - deciding on a concept for the design of the vase, creating a presentation and drawing rough sketches, with detailed measurements and colours, for the glassmakers to work from. As I couldn’t be on site at the time, and because of the language barrier, I worked hard to ensure my idea was clearly presented, to minimise (and hopefully completely avoid) any misinterpretations. The teams were though incredible, they took a huge amount if time to completely understand the concept and worked tirelessly with me, to ensure I was happy with the finished result. It was a hugely healthy and positive collaboration.

My final concept was to create a collection of three flower vases, with five key considerations:

  • Three vases to work collectively as one collection, and also independently.

  • Each vase to offer the best shape for flower arranging, both ease of use and elegance in display.

  • Follow an organic, fluid shape, representative of nature.

  • Enhance a feeling of warmth and positivity.

  • Beautiful in their own right and suitable for multiple uses, not purely for flowers.


I also described the concept for the design:

  • FLOW - An organic flow in shape, with gentle curves and indentations, created either from a glass mould or individually from being mouth blown. Albeit static, a sense of visual, rounded movement. The title of the collection was Movement, Energy, Flow.

  • NATURE - The movement of the glass is to reflect nature, celebrating the diverse flow in landscapes, from mountains to rivers.

  • IMPERFECTIONS - The glass to change in thickness at different points, which will change the depth of colour across the vase, celebrating the imperfections.

  • EASE OF USE - The shapes have been created for complete ease of use and practicality in mind, each vase will hold flowers perfectly, are easy to clean and are designed for multiple use.

  • COLOUR - The colour will provide an incredible feeling of warmth across the vases. Amber is known for its healing properties and positive energy. Created by nature, a fossilised tree resin used since Neolithic times and loved today, with a sense of luxury. The glass is to be clear, symbolising clarity.

You can see the full concept - and initial presentation sent to Venini and Homo Faber - below:

 
 
 
 
The forms, fluid and soft, are captured forever at the instant in which the material crystallises. In this way, Philippa Craddock’s Movement, Energy, Flow vases render the magic of blown glass and suggest the poetry of a world in which nature is the governing force. The Amber colour lends the elegant, organic forms an aura of solar energy.
— Homo Faber
 
 

 
 

VENINI’S CONTRIBUTION

Venini took my presentation and following a series of phone calls and emails finalising exact colours, textures, shapes and sizes, they managed the full production and creation of the three vases.

I was able to watch the making of the largest vase, via a video link, with the option to give feedback during the making (if it was needed), the glassblower realised the finished design perfectly. The images below show the making of the three vases.

 
 

 
 

Michelangelo Foundation’s Contribution


The Foundation, of course, were responsible for all the marketing, publicity and communication around the exhibition, and managing, creating and curating the entire exhibition. I was invited out to Venice for the opening of the exhibition.

The Foundation also wonderfully extended the invitation to my ten year old daughter, who joined me for the entire trip and was warmly welcomed to all the events. It was an incredible experience for her, she was fully involved and spoke at length with the directors - they took time to answer all her questions and went out of their way to make her feel welcome and involved. I work hard and often have to be away from my family, so I am always hugely appreciative when I can include them, and this was an experience she will remember forever.

Within the upcoming Creative Business Masterclass - which launches in mid October - we cover the power of collaborations in detail, to ensure you feel fully supported and confident to select and manage your own collaborations. In the past, I have proactively sought out our collaborations, this was unique in that they contacted me.

During the Creative Business Masterclass I also share ways that I manage my work life balance, particularly with my family (I have three children, and launched the business when my eldest was a baby, so they have very much grown up, alongside our business) and ensure I also have plenty of time with friends. I love my work hugely, I also, though, love spending time with my family and friends. I feel that a successful business, works hand in hand with a healthy work/life balance.

Watch the video below for an insight into Homo Faber …

 
 
 
 
 

the finAL vase collection

& MILAN DESIGN WEEK

 
 

Here is the finished vase collection. I loved working with the vases I had designed and watched being handcrafted by the extraordinary glass blowers, seeing and touching the finished pieces that came about from this fantastic collaboration, everyone coming together to share their expertise and skills, truly creating something far greater together. It was an incredible experience.

And to make it all the more wonderful, the collection was later exhibited at Milan Design Week 2022, the biggest annual showcase of design in the world. The show functions as the most significant influencers in forthcoming design trends. It has been an incredible honour and I have loved the entire experience.

Below is a selection of some of the exhibits from Milan Design Week 2022 …

 
 

The "Divided Layers" installation by Daniel Arsham for Kohler

The Amarante rug by Rinck

The Ancora and Entrata rugs by Colin King for Beni Rugs in an installation by Amine El Gotaibi

The Studie chair in Ice Mint by Fermob

The Lodes showroom in Milan

Lode’s Volum pendants by Snøhetta


 

BEHIND THE SCENES IN VENICE

Sharing a few images from the opening of Homo Faber 2022 …

 

 

more in the journal

 
 

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